David Mateer
Publications

(a) Books

(i) Authored

(ii) Edited

1. Robert White: Five-Part Latin Psalms : Early English Church Music 28 (London, Stainer & Bell for the British Academy, 1983) ISBN: 0 85249 545 5 [xvii + 138 pp.]
   
2. Robert White: Six-Part Latin Psalms and Votive Antiphons : Early English Church Music 29 (London, Stainer & Bell for the British Academy, 1983) ISBN: 0 85249 614 1 [xix + 141 pp.]
   
3. Robert White: Ritual Music and Lamentations : Early English Church Music 32 (London, Stainer & Bell for the British Academy, 1986) ISBN 0 85249 647 8 [xx + 142 pp.]
   
4. Courts, Patrons and Poets - The Renaissance in Europe: A Cultural Enquiry II (New Haven and London, Yale University Press and the Open University, 2000) ISBN: 0 300 08219 3 (C) [xi + 383 pp.]
   
5. William Byrd: Songs of sundrie natures (1589) : Byrd Edition 13 (London, Stainer & Bell, 2005) ISBN 0 85249 375 4 [xxxiii + 274 pp.]
   
6. The Gyffard Partbooks, 1, Early English Church Music 48, London: Stainer & Bell for the British Academy, 2007 [xvii + 314 pp.]

(b) Chapters in books

1. ‘John Baldwin and Changing Concepts of Text-Underlay', pp.143-60 in John Morehen (ed.), English Choral Practice (1400-1650), (Cambridge, 1996)

(c) Journal Articles

(i) Refereed Journals

1. ‘Further light on Preston and Robert Whyte, pp.1074-7, The Musical Times, December 1973
   
2. ‘John Sadler and Oxford, Bodleian MSS Mus. e. 1-5', pp.281-95, Music & Letters 60/3 (1979); ISSN 0027-4224
   
3. ‘Oxford, Christ Church Music MSS 8-984-8; an Index and Commentary', pp.1-18, Royal Musical Association Research Chronicle 20 (1986-7)
   
4. ‘The compilation of the Gyffard Partbooks', pp.19-43, Royal Musical Association Research Chronicle 26 (1993)
   
5. ‘The Gyffard Partbooks: Composers, Owners, Date and Provenance', pp.21-50, Royal Musical Association Research Chronicle 28 (1995); ISSN 0080 4460
   
6. ‘William Byrd's Middlesex Recusancy', pp.1-14 Music & Letters 78/1, February 1997; ISSN 0227-4224
   
7. ‘William Byrd, John Petre and Oxford, Bodleian MS Mus. Sch. E.423', pp.21-46, Royal Musical Association Research Chronicle 29 (1996); ISSN 0080 4460
   
8. ‘In Nomine Jesu: Robert Fayrfax and the Guild of the Holy Name in St Paul's Cathedral', pp. 507-19, Music & Letters 81/4 (2000); ISSN 0227-4224
   
9. ‘Hugh Davis's Commonplace book; A new source of 17th-century English song', pp.63-87, Royal Musical Association Research Chronicle 32 (2001 for 1999); ISSN 1472-3808
   
10. ‘New light on the early history of the Theatre in Shoreditch', English Literary Renaissance, 36/3 (Autumn 2006 ), pp. 335-75.
    
11. ‘Edward Alleyn, Richard Perkins, and the Rivalry between the Swan and the Rose Playhouses', Review of English Studies, 2007.

(ii) Non-refereed Journals

(d) Dictionary contributions

1. Articles for New Grove Dictionary of Music and Musicians (rev. 2nd edn., 2001) on:

2. Articles for New Oxford Dictionary of National Biography (O.U.P., 2004) on:

3. Article for Die Musik in Geschichte und Gegenwart (London/Kassel: Barenreiter, 1994-) Personenteil 1, cols. 612-3, on:

John Amner

(e) Conference contributions

(i) Refereed Conference contributions

1. ‘Structure and Design in John Sheppard's Mass Be not afraid ' – Biennial Medieval & Renaissance Conference (St Peter's College, Oxford), 2000
   
2. ‘William Byrd and Sir John Petre's cultural circle in the 1580s' – First William Byrd Conference (School of Music, Leeds University), 11 September 2004.

(ii) Non-refereed Conference contributions

1. ‘Longman v Sherlock: the consequences of business expansion' – Royal Musical Association Study Day on Longman & Broderip, the music instrument makers and publishers (Royal College of Music, April 2003).

(f) Other published works falling outside the above categories

1. Performance Review of Welsh National Opera's production of Handel's Rodelinda, pp. 64-5, Welsh Music, Spring 1981
   
2. Music Review: ‘Robert Ramsey: Latin Sacred Music', ed. Edward Thompson, pp. 303-4, Music & Letters, July 1987
   
3. Programme Notes for Royal Liverpool Philharmonic and London Sinfonietta (1990)
   
4. CD Reviews for Early Music :
   p. 135, February 1988; pp. 603-7, November 1988; pp. 442-51, August 1989;
   pp. 667-73, November 1991; pp. 501-2, August 1992; pp.138-41, February 1993
   
5. Book Review: J Harley, William Byrd: Gentleman of the Chapel Royal, pp. 104-8, Music & Letters, November 1997
   
6. Book Review: Andrew Ashbee and John Harley, The cheque books of the Chapel Royal, pp. 614-15, Music & Letters, November 2001
   
7. Book Review: ed. Fiona Kisby, Music and Musicians in Renaissance Cities and Towns, pp. 281-3, Music & Letters, May 2002
   
8. Book Review: Christelle Cazaux, La Musique à la Cour de François I er, pp. 625-6, The American Historical Review, April 2004

(g) Publications in press

1. ‘Music publishing in 18th century London: the early history of Longman & Broderip', ? Ad Parnassum.

Publications in preparation

1. The Gyffard Partbooks, vol. 2, Early English Church Music
   
2. Thomas Ravenscroft; Music from the Printed Collections, Musica Britannica vol. (with John Morehen)
   
3. William Byrd's Songs of sundrie natures (1589), book in the series William Byrd's English texted music (General Editor: Richard Rastall, University of Leeds)

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